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DTSTART;TZID=America/New_York:20260328T190000
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DTSTAMP:20260423T162532
CREATED:20260318T064508Z
LAST-MODIFIED:20260318T064508Z
UID:16573-1774724400-1774731600@artsfalmouth.org
SUMMARY:Woods Hole Film Festival: The Shepherd and the Bear
DESCRIPTION:The Woods Hole Film Festival’s Dinner & A Movie series presents the feature documentary\, The Shepherd and the Bear\, on Saturday\, March 28\, at 7 PM\, in Redfield Auditorium\, Woods Hole Oceanographic Institution\, Doors open at 6:30 PM. \nThe film is by Max Keegan\, UK/US/France\, 2025\, 101 minutes\, French with English subtitles. \nTickets: $18 general admission | $14 members | $10 students & military \nSet high in the majestic French Pyrenees\, The Shepherd and the Bear explores a conflict provoked by the reintroduction of brown bears amid a traditional shepherding community. The film follows an aging shepherd who struggles to find a successor as bears prey on his flock\, and a teenage boy who becomes obsessed with tracking the bears. Through its breathtaking cinematography and immersive storytelling\, The Shepherd and the Bear is a modern folktale about tradition\, community and humanity’s relationship with a vanishing natural world. \nThe film was nominated for Cinema Eye Award and British Independent Film Award. \nDirector’s Statement: \nThe French state started releasing Slovenian brown bears into the Pyrénées in 1996 as part of an EU-wide program called LIFE. At this point there were just five Pyrenean brown bears left. The decision to release apex predators into a region whose primary industry is traditional open range sheep farming was immediately controversial. Not just because of the potential dangers this posed\, but also because of who was perceived to have taken this decision–farming communities across Europe have faced increasing economic hardship and political marginalization for decades\, and there was little local consultation for this project legislated for a world away in urban Paris and Brussels. \nOn both sides of the debate\, the bear represents different fears. For the ecological lobby\, it’s the fear that humanity has overreached itself. The bear is a manifestation of mother nature – it’s a powerful figure that can take back the reins from us and manage the environment outside of our corrupting influence. For the anti-bear farmers\, the bear is an aberration foisted on them by distant powers. Something that represents the state’s irreverence of their industry and their culture at a time when both these things are already facing extreme pressures. \nI didn’t want to make an activist film\, a call to arms\, or an exposé. These are complicated issues\, and the truth is\, on some level both sides are right. I wanted to make a film that captured the complexity of this story\, and that humanized both sides of the debate. \nAlthough this film takes place in the Pyrénées\, it speaks to issues that affect rural communities everywhere. We are living through an era of radical and rapid change\, not just environmentally\, but also culturally. Urban spaces account for less than one percent of land use but now house more than half of the global population. Across the world young people are migrating\, leaving villages and towns and moving to cities. The economic stresses of modern life atomize communities\, sever generational relationships to the land\, and threaten the perpetuation of local traditions. Hard won knowledge developed over hundreds of years is lost in the space of one absent generation. \nI chose to take a cinema verité approach to the storytelling\, because I felt that a character driven narrative would be more emotionally engaging and effective in bringing an audience round to understand both perspectives. By eschewing standard documentary techniques\, I hope to present our subjects as sympathetic characters rather than simply as voices ‘for’ and ‘against’. We spent two years living in the Pyrénées to experience and understand this issue first-hand and deliver a human story that transcends its direct subject matter. \nI don’t think that the themes this film deals with could be more urgent. We need to protect and preserve wild species where they are threatened\, but we can only do so in concert with local people. Equally\, we must strive to valorize and defend traditional lifestyles\, which in many cases hold the keys to understanding how to live in better harmony with the natural world. \nABOUT DINNER & A MOVIE \nDinner & A Movie is part of the Woods Hole Film Festival’s Winter/Spring Film Series\, featuring twice-monthly in-person screenings of independent films from September 2025 through June 2026. Screenings are held at the Woods Hole Oceanographic Institution’s Redfield Auditorium\, located at 45 Water Street in Woods Hole. \nTickets are available in advance at www.woodsholefilmfestival.org and at the door if not sold out. \nBefore the screening\, ticket holders may receive a discount on the meal portion of dinner at Quahog Republic Leeside Pub\, 29 Railroad Avenue\, Woods Hole. \nFor more information\, email info@woodsholefilmfestival.org or call (508) 495-3456.
URL:https://artsfalmouth.org/event/woods-hole-film-festival-the-shepherd-and-the-bear/
LOCATION:Redfield Auditorium\, 45 Water Street\, Woods Hole\, MA\, 02543\, United States
CATEGORIES:Documentaries,Environment,Film
ATTACH;FMTTYPE=image/jpeg:https://artsfalmouth.org/wp-content/uploads/2026/03/Shepherd-and-the-Bear.jpg
ORGANIZER;CN="Woods Hole Film Festival":MAILTO:info@woodsholefilmfestival.org
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DTSTART;TZID=America/New_York:20251206T190000
DTEND;TZID=America/New_York:20251206T190000
DTSTAMP:20260423T162532
CREATED:20251121T052715Z
LAST-MODIFIED:20251121T052715Z
UID:15166-1765047600-1765047600@artsfalmouth.org
SUMMARY:Woods Hole Film Festival: A Cherry Pie Christmas
DESCRIPTION:Woods Hole Film Festival presents its Dinner & A Movie series on Saturday\, December 6\, with the feature documentary VIVA VERDI! by Yvonne Russo. \nThe screening takes place at 7 PM at Redfield Auditorium\, 45 Water Street\, Woods Hole. Doors open at 6:30 PM. Tickets are $18\, $12 for members and $10 student/military. \nVIVA VERDI! feature documentary by Yvonne Russo\, USA\, 77 mins.\, 2025\, English and Italian \nIn 1896\, famed composer Guiseppe Verdi built a unique retirement home\, Casa Verdi\, in Milan\, Italy for musicians to live out their lives in retirement. VIVA VERDI! is an intimate glimpse into the lives of the celebrated opera singers and musicians currently living out their ‘third act’ while mentoring international music students who live among them at Casa Verdi. \nFrom these ‘guests’ of Verdi\, ages 77 to 107\, comprised of international opera singers\, ballet dancers\, musicians\, conductors and composers\, we hear an extraordinary array of personal and professional stories filled with music\, magic and passion\, and ultimately learn why Verdi called this remarkable home his “best work. \nWith “little altars” to Verdi in every corner\, and music and memories in every room\, the cross-generational mixing of young and old\, held together by an implacable commitment and relentless passion for music\, creates a highly charged atmosphere where the human spirit transcends both time and space. As stories of romance\, tragedy and triumph abound from these living treasures\, it’s easy to see Verdi’s vision thriving – a life-affirming reminder of how music moves us at a fundamental level; how nurturing artistic expression can be life- enhancing and nourishing to the spirit at any age; and how one distinctive retirement home has reclaimed and enriched thousands of artists’ lives. \nAward-winning filmmaker Yvonne Russo is the director of VIVA VERDI! She is currently serving as director/producer of RING OF FIRE: The Life of Annie Mae Aquash\, a true-crime docuseries currently in production\, produced by Amy Kaufman and Caroline Waterlow with Jake Gyllenhaal’s\, Nine Stories. Most recently\, she directed\, produced and wrote the PBS animated short\, MINNIE’S WAR BONNET. A producer on KELLY’S BAR\, an independent feature with Casey Affleck’s Sea Change Media\, Russo worked for 15 years on a diverse slate of domestic and international television and film projects for such companies as HBO\, National Geographic Channel\, Discovery/TLC\, and the CBS/Smithsonian Channel. A member of the Academy of Television and Sciences\, she is also a member of the Producers Guild of America where she formerly served on the Board of Governors. A Board Member of NYWIFT\, Russo divides her time between New York and Los Angeles and is a member of the Sicangu Lakota Tribal Nation. \nABOUT DINNER & A MOVIE \nDinner & A Movie is a program of the Winter/Spring Film Series\, twice-monthly in-person screenings of independent film from September 2025 through June 2026. The screenings will be held in the Woods Hole Oceanographic Institution’s Redfield Auditorium\, located at 45 Water Street\, Woods Hole.   \nTickets are on sale in advance at www.woodsholefilmfestival.org and at the door if they are not sold out in advance. \nBefore the screening ticket holders may receive a discount on the meal portion of dinner at the Captain Kidd Restaurant and Bar\, 77 Water Street\, Woods Hole and Quahog Republic Leeside Pub\, 29 Railroad Ave\, Woods Hole. Ticket holders must make reservations directly with the restaurant. \nFor more information email info@woodsholefilmfestival.org or call (508) 495-3456. \n 
URL:https://artsfalmouth.org/event/woods-hole-film-festival-a-cherry-pie-christmas/
LOCATION:Redfield Auditorium\, 45 Water Street\, Woods Hole\, MA\, 02543\, United States
CATEGORIES:Classical music,Documentaries,Film
ATTACH;FMTTYPE=image/jpeg:https://artsfalmouth.org/wp-content/uploads/2025/11/VIVA-VERDI.jpg
ORGANIZER;CN="Woods Hole Film Festival":MAILTO:info@woodsholefilmfestival.org
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