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DTSTART;TZID=America/New_York:20261007T153000
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DTSTAMP:20260817T220443Z
CREATED:20260817T220443Z
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UID:64995-1791387000-1791392400@artsfalmouth.org
SUMMARY:International Book Group – Death in Sicily by Andrea Camilleri
DESCRIPTION:The International Book Group at West Falmouth Library is a volunteer-led group that meets on the first Wednesday of each month 3:45-5 p.m. Selections have either foreign settings or foreign authors\, usually both. New members are always welcome! Annual registration is requested to receive important communications about schedule or location changes; register below. Meetings are both in-person and on Zoom. \nThe Wednesday\, October 7 meeting will discuss Death in Sicily by Andrea Camilleri. Collected in one volume—the first three books in the bestselling Inspector Montalbano mystery series. \n“There’s a deliciously playful quality to the mysteries Andrea Camilleri writes about a lusty Sicilian police detective named Salvo Montalbano.”— The New York Times Book Review \n“The novels of Andrea Camilleri breathe out the sense of place\, the sense of humor\, and the sense of despair that fills the air of Sicily.”— Donna Leon \n“This series is distinguished by Camilleri’s remarkable feel for tragicomedy\, expertly mixing light and dark in the course of producing novels that are both comforting and disturbing.”— Booklist
URL:https://artsfalmouth.org/event/international-book-group-death-in-sicily-by-andrea-camilleri/
LOCATION:West Falmouth Library\, 575 West Falmouth Highway\, West Falmouth\, MA\, 02574\, United States
CATEGORIES:Book clubs
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ORGANIZER;CN="West Falmouth Library":MAILTO:wfal_mail@clamsnet.org
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DTSTART;TZID=America/New_York:20261017T150000
DTEND;TZID=America/New_York:20261017T210000
DTSTAMP:20261017T154558Z
CREATED:20261017T154558Z
LAST-MODIFIED:20261017T154558Z
UID:65825-1792249200-1792270800@artsfalmouth.org
SUMMARY:ArtsFalmouth Jazz Stroll 2026
DESCRIPTION:ArtsFalmouth’s signature fall event\, the Jazz Stroll\, returns to downtown Falmouth on Saturday\, October 17. The event\, which is free and welcoming to all\, takes place rain or shine from 3 to 7:15 PM in locations along North Main Street\, Palmer Ave\, and Main Street\, and continues with an After-Stroll Concert from 6 to 9 PM at the Vine Restaurant. Refreshments will be offered at some Stroll locations. \n \n“Jazz Stroll 2026 offers seven performances by well-known local jazz and blues musicians and introduces some new voices to Falmouth\,” said Marilyn Rowland\, president of ArtsFalmouth. “The music is outstanding\, but so is the opportunity to explore local galleries\, shops\, and restaurants\, to meet up with friends and neighbors\, and to admire the many creatively decorated scarecrows along the way\, thanks to Falmouth Village businesses.” \n \nThe Stroll features an eclectic array of jazz\, blues\, and contemporary music from American standards and international rhythms to progressive jazz and original compositions. The overlapping performances are each one hour and fifteen minutes long. \n \nThe event begins at 3 PM with the Tish Adams Trio at Byway Barber + Massage Co.\, 49 North Main Street. Vocalist Adams has an extensive and engaging repertoire of time-honored jazz standards with a dash of the blues. Joining Trish are two accomplished musicians: pianist Paul McWilliams and bass player Marshall Wood\, who was Tony Bennet’s long-time bass player. They will play until 4:15 PM. \n \nThe Andrew Sexton Quartet will play at Coffee Obsession\, 110 Palmer Avenue\, from 3:30 PM to 4:15 PM. The group offers standards music from the 1930s and beyond\, plus some originals. Singer/songwriter/guitarist Sexton will share the stage with Stephen Folino on mandolin\, Klem Klimek on saxophone\, and John Goldie on bass. \n \nAt 4 PM\, Blue Train can be found at Falmouth Museums on the Green\, 55 Palmer Avenue\, playing gypsy jazz\, also known as “hot club jazz\,” made famous by Django Reinhardt and Stephane Grappelli in France in the 1930s. The band\, which will play until 5:15 PM\, includes Jon Pachter on banjo\, George O’Connor on mandolin\, Stewart Roberts on guitar\, Wendy Pachter on bass\, and Alison Smith on violin. \n \nBongogenesis offers Afro-Cuban jazz from 4:30 PM to 5:45 PM at the First Congregational Church of Falmouth\, 68 Main Street\, a new venue for the Jazz Stroll this year. The band includes multilingual vocalist Olivia Yingling\, Greg Polanik on guitar and Cuban tres\, Sam Holmstock on percussion\, Laird Boles on bass\, and special guest Bill McManus on alto sax. \n \nAt 5 PM\, the New Dreams Jazz Ensemble performs a playful and energetic eclectic mix of tunes at the Pickle Jar Kitchen\, 170 Main Street. The band\, which will play until 6:15 PM\, includes Pat Ryan on guitar\, Danny “Mo” Morris on bass\, Dan Fox on trombone\, and Rick Andre on drums\, steel pans\, and percussion. \n \nThe Dawna Hammers Trio performs from 5:30 PM to 6:45 PM at the Black Dog General Store\, 214 Main Street. Joining singer/songwriter Hammers are her son John Graham on percussion and Scott Sheehan on upright bass. They will share songs by Louis Armstrong\, Duke Ellington\, Thelonious Monk\, Antonio Carlos Jobim\, and more\, as well as some originals. \n \nAt 6 PM\, Long Lost Friend provides some jazzy blues at So French\, 303 Main Street. The trio\, which includes Chris LoCasio on piano\, Bill Hayes on drums\, and Ben Sloan on bass guitar\, will play music by Thelonious Monk\, Ray Charles\, Eric Clapton\, Taj Mahal\, Dr. John\, and Bob Dylan. They will perform until 7:15 PM. \n \nThere will be an After-Stroll Gathering with Bart Weisman’s Smooth Jazz Group at the Vine Restaurant\, 824 Main Street\, from 6 to 9 PM. Performing with drummer Weisman are Steve Hambleton on guitar and Ron Ormsby on bass. \n \nSchedule cards will be available at Stroll venues and other downtown locations. Information is also available at artsfalmouth.org/jazz-stroll-2026/ or email artsfalmouthinc@gmail.com \n \nArtsFalmouth is grateful for the support of the host venues. as well as organizations and foundations who have helped fund and support not only the Jazz Stroll\, but also ArtsFalmouth’s other events\, Arts Alive\, and the Woods Hole Trad Stroll. They include the Mass Cultural Council\, the Falmouth Cultural Council\, the Woods Hole Foundation\, the Melody Tent\, Leader Bank\, the Falmouth Fund of the Cape Cod Foundation\, and Falmouth Community Television.
URL:https://artsfalmouth.org/event/artsfalmouth-jazz-stroll-2026/
LOCATION:MA
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ORGANIZER;CN="ArtsFalmouth":MAILTO:info@artsfalmouth.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261024T190000
DTEND;TZID=America/New_York:20261024T210000
DTSTAMP:20261015T171440Z
CREATED:20261015T170849Z
LAST-MODIFIED:20261015T171440Z
UID:65787-1792868400-1792875600@artsfalmouth.org
SUMMARY:Falmouth Chamber Players Orchestra Presents: Once Upon a Symphony--Adventures in Sound
DESCRIPTION:The Falmouth Chamber Players Orchestra Presents “Once Upon a Symphony—Adventures in Sound” on October 24 and 25 \nThe Falmouth Chamber Players Orchestra believes that classical music is for everyone\, and that people of all ages can appreciate the many joys of the genre. Under the direction of Thomas Kociela\, the FCPO will present its October concerts\, “Once Upon a Symphony—Adventures in Sound\,” twice\, once for general audiences and a second time to specifically appeal to children and families. Adults are encouraged to come to either or both concerts. \nBoth concerts will be held at the Morse Pond School Auditorium. The traditional concert will be on Saturday evening\, October 24\, at 7 PM\, and the family concert will be Sunday\, October 25\, at 3 PM. \nThe program is essentially the same for both concerts. It includes excerpts from Englebert Humberdinck’s Suite from Hansel and Gretel\, Jacques Offenbach’s Overture to Orpheus in the Underworld\, and Alexander Borodin’s Symphony No. 1 in E minor. \n“For the family concert\, we’ll provide slightly shorter versions of Hansel and Gretel and Overture to Orpheus\, with introductions to the instrument families from the stage\,” said Kociela. “We’ll also have activity packets available in the lobby before the show and a chance to meet some of the musicians at intermission. The second half of the concert will feature the Borodin symphony\, which is just over 30 minutes long.” \n“Offenbach’s Overture to Orpheus in the Underworld is an exhilarating piece of music which shows off the orchestra and many of our principal players\, including clarinetist Kathy DiPasqua-Egan and concertmaster Gigi Turgeon\,” said Kociela. “This music depicts the ultimate non-stop party destination for the residents of Mt. Olympus!” \nOrpheus in the Underworld is an irreverent and witty comic opera parodying the tragic Greek myth of Orpheus and Euridice\, upon which Christoph Willibald Gluck’s opera Orfeo ed Euridice (1762) was based. In Offenbach’s tale\, Orpheus is a mediocre music teacher\, and he and Euridice are unhappily married. When Euridice flies to the Underworld with her lover Pluto\, Orpheus is relieved\, but forced\, by Public Opinion to try to retrieve her. Orpheus uses his musical skills to save his wife\, but\, in the end\, loses her again when he looks back at her as they are leaving: it is a happy ending for them both. \nOrpheus in the Underworld premiered in 1858 with only a prelude as an introduction. The Overture was created in 1860 by Austrian musician Carl Binder\, who compiled it using selections from the opera. The Overture is best known for its wildly energetic “Galop infernal.” The tune was later adopted by Parisian cabarets to accompany the can-can dance and has been known as the can-can ever since. \nWhen his sister\, Adelheid Wette\, first asked Humperdinck to write some music for her Christmas Hansel and Gretel puppet show\, he was not enthusiastic. But\, after several revisions\, he transformed his musical sketches and songs into a complete “fairy tale opera” with libretto by Wette. Richard Strauss conducted the premiere in December 1893 and praised it as a masterpiece\, admiring Humperdinck’s use of folk melodies and the polyphonic richness of the orchestra. \nHumperdinck and Wette rewrote elements of Hansel and Gretel to make it less frightening for children. The parents are kinder and several forest friends help them along their journey. The orchestra will perform several excerpts from the opera: Strawberry Picking in the Forest\, Witch’s Ride\, Sandman’s Song\, Evening Prayer\, and Fourteen Angels Guard the Children. \n“The Evening Prayer melody is one of the most captivating ever written\,” said Kociela. Lost in the woods as night approaches\, the frightened children are calmed by the Sandman\, who sprinkles magic dust into their eyes. The children sing their evening prayer to each other\, secure that they will be kept safe by their guardian angels. \nHumperdinck and Wette rewrote elements of Hansel and Gretel to make it less frightening for children. The parents are kinder and several forest friends help them along their journey. The orchestra will perform several excerpts from the opera: Strawberry Picking in the Forest\, Witch’s Ride\, Sandman’s Song\, Evening Prayer\, and Fourteen Angels Guard the Children. \nFollowing an intermission\, the orchestra will perform Borodin’s Symphony No. 1. Part of “The Five\,” a group of Russian nationalist composers\, Borodin’s melodies reflect the character of his country’s folk melodies. As a child\, he learned to play flute\, cello\, and piano and began composing when he was 30. His primary occupation\, however\, was as a chemistry professor and researcher; he also advocated for women’s medical education. It is said that when he was writing Symphony No. 1\, he would pause a complex chemistry experiment to rush to the piano to work out a musical thought and then hurry back to his scientific work. \nBorodin wrote the symphony between 1862 and 1867. It was published for piano four hands in 1875 and for orchestra in 1882. \n“Borodin’s first movement begins solemn and serious\, then launches into relentless forward motion\, hinting at beautiful folk melodies\,” said Kociela. “The second movement was a major hit at the premiere\, with restless energy and folk music\, which feels authentic but is original to Borodin. \n“In the Andante (third) movement Borodin channels the culture of his Georgian father and presents his original folk music evoking the eastern frontiers of Russia at the time (1862)\,” he continued. \n“The Andante has a beautiful main melody\,” said Melanie Hayn\, president of the orchestra\, “which first is presented by the celli. It’s a treat for me as an oboist to get to bring out my English horn and play the melody myself with variations later in the movement.” \n“The fourth movement is blazing\, making rapid and aggressive jumps between sounds which the classical masters before him never touched\,” said Kociela. “Borodin was essential in establishing a uniquely Russian style of classical music. We are pleased to share this rarely performed symphony with our audiences.” \nIn addition to the two concerts on October 24 and 25\, the FCPO is performing an abridged version of the concert on October 21 for all third and fourth graders in the Falmouth Public Schools. The program will show how the orchestra creates beautiful music through teamwork and leadership. This performance was funded by the Arts Foundation of Cape Cod.  \n“This is a special series of concerts for the orchestra\,” said Hayn. “I’m delighted that we can present these three spirited and engaging pieces in performances for three different audiences. There’s something for everyone in this show\, and we’re looking forward to sharing it.” \nThe concerts are free to the public. Donations are gratefully welcomed. \nFor more information\, visit falmouthchamberplayers.org. \nThe FCPO is funded in part by the Arts Foundation of Cape Cod\, the Falmouth Cultural Council\, the Mass Cultural Council\, the Cape Cod Foundation\, the Cape Cod Melody Tent\, and the Woods Hole Foundation.
URL:https://artsfalmouth.org/event/falmouth-chamber-players-orchestra-presents-once-upon-a-symphony-adventures-in-sound/
LOCATION:Morse Pond School\, 323 Jones Road\, Falmouth\, MA\, 02540\, United States
CATEGORIES:Classical music,Concerts
ATTACH;FMTTYPE=image/jpeg:https://artsfalmouth.org/wp-content/uploads/2026/10/FCPO-October-24-and-25-poster.jpg
ORGANIZER;CN="Falmouth Chamber Players Orchestra":MAILTO:FCPO@falmouthchamberplayers.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261025T150000
DTEND;TZID=America/New_York:20261025T170000
DTSTAMP:20261015T171325Z
CREATED:20261015T171325Z
LAST-MODIFIED:20261015T171325Z
UID:65790-1792940400-1792947600@artsfalmouth.org
SUMMARY:Falmouth Chamber Players Orchestra Presents "Once Upon a Symphony--Adventures in Sound"
DESCRIPTION:The Falmouth Chamber Players Orchestra believes that classical music is for everyone\, and that people of all ages can appreciate the many joys of the genre. Under the direction of Thomas Kociela\, the FCPO will present its October concerts\, “Once Upon a Symphony—Adventures in Sound\,” twice\, once for general audiences and a second time to specifically appeal to children and families. Adults are encouraged to come to either or both concerts. \nBoth concerts will be held at the Morse Pond School Auditorium. The traditional concert will be on Saturday evening\, October 24\, at 7 PM\, and the family concert will be Sunday\, October 25\, at 3 PM. \nThe program is essentially the same for both concerts. It includes excerpts from Englebert Humberdinck’s Suite from Hansel and Gretel\, Jacques Offenbach’s Overture to Orpheus in the Underworld\, and Alexander Borodin’s Symphony No. 1 in E minor. \n“For the family concert\, we’ll provide slightly shorter versions of Hansel and Gretel and Overture to Orpheus\, with introductions to the instrument families from the stage\,” said Kociela. “We’ll also have activity packets available in the lobby before the show and a chance to meet some of the musicians at intermission. The second half of the concert will feature the Borodin symphony\, which is just over 30 minutes long.” \n“Offenbach’s Overture to Orpheus in the Underworld is an exhilarating piece of music which shows off the orchestra and many of our principal players\, including clarinetist Kathy DiPasqua-Egan and concertmaster Gigi Turgeon\,” said Kociela. “This music depicts the ultimate non-stop party destination for the residents of Mt. Olympus!” \nOrpheus in the Underworld is an irreverent and witty comic opera parodying the tragic Greek myth of Orpheus and Euridice\, upon which Christoph Willibald Gluck’s opera Orfeo ed Euridice (1762) was based. In Offenbach’s tale\, Orpheus is a mediocre music teacher\, and he and Euridice are unhappily married. When Euridice flies to the Underworld with her lover Pluto\, Orpheus is relieved\, but forced\, by Public Opinion to try to retrieve her. Orpheus uses his musical skills to save his wife\, but\, in the end\, loses her again when he looks back at her as they are leaving: it is a happy ending for them both. \nOrpheus in the Underworld premiered in 1858 with only a prelude as an introduction. The Overture was created in 1860 by Austrian musician Carl Binder\, who compiled it using selections from the opera. The Overture is best known for its wildly energetic “Galop infernal.” The tune was later adopted by Parisian cabarets to accompany the can-can dance and has been known as the can-can ever since. \nWhen his sister\, Adelheid Wette\, first asked Humperdinck to write some music for her Christmas Hansel and Gretel puppet show\, he was not enthusiastic. But\, after several revisions\, he transformed his musical sketches and songs into a complete “fairy tale opera” with libretto by Wette. Richard Strauss conducted the premiere in December 1893 and praised it as a masterpiece\, admiring Humperdinck’s use of folk melodies and the polyphonic richness of the orchestra. \nHumperdinck and Wette rewrote elements of Hansel and Gretel to make it less frightening for children. The parents are kinder and several forest friends help them along their journey. The orchestra will perform several excerpts from the opera: Strawberry Picking in the Forest\, Witch’s Ride\, Sandman’s Song\, Evening Prayer\, and Fourteen Angels Guard the Children. \n“The Evening Prayer melody is one of the most captivating ever written\,” said Kociela. Lost in the woods as night approaches\, the frightened children are calmed by the Sandman\, who sprinkles magic dust into their eyes. The children sing their evening prayer to each other\, secure that they will be kept safe by their guardian angels. \nHumperdinck and Wette rewrote elements of Hansel and Gretel to make it less frightening for children. The parents are kinder and several forest friends help them along their journey. The orchestra will perform several excerpts from the opera: Strawberry Picking in the Forest\, Witch’s Ride\, Sandman’s Song\, Evening Prayer\, and Fourteen Angels Guard the Children. \nFollowing an intermission\, the orchestra will perform Borodin’s Symphony No. 1. Part of “The Five\,” a group of Russian nationalist composers\, Borodin’s melodies reflect the character of his country’s folk melodies. As a child\, he learned to play flute\, cello\, and piano and began composing when he was 30. His primary occupation\, however\, was as a chemistry professor and researcher; he also advocated for women’s medical education. It is said that when he was writing Symphony No. 1\, he would pause a complex chemistry experiment to rush to the piano to work out a musical thought and then hurry back to his scientific work. \nBorodin wrote the symphony between 1862 and 1867. It was published for piano four hands in 1875 and for orchestra in 1882. \n“Borodin’s first movement begins solemn and serious\, then launches into relentless forward motion\, hinting at beautiful folk melodies\,” said Kociela. “The second movement was a major hit at the premiere\, with restless energy and folk music\, which feels authentic but is original to Borodin. \n“In the Andante (third) movement Borodin channels the culture of his Georgian father and presents his original folk music evoking the eastern frontiers of Russia at the time (1862)\,” he continued. \n“The Andante has a beautiful main melody\,” said Melanie Hayn\, president of the orchestra\, “which first is presented by the celli. It’s a treat for me as an oboist to get to bring out my English horn and play the melody myself with variations later in the movement.” \n“The fourth movement is blazing\, making rapid and aggressive jumps between sounds which the classical masters before him never touched\,” said Kociela. “Borodin was essential in establishing a uniquely Russian style of classical music. We are pleased to share this rarely performed symphony with our audiences.” \nIn addition to the two concerts on October 24 and 25\, the FCPO is performing an abridged version of the concert on October 21 for all third and fourth graders in the Falmouth Public Schools. The program will show how the orchestra creates beautiful music through teamwork and leadership. This performance was funded by the Arts Foundation of Cape Cod.  \n“This is a special series of concerts for the orchestra\,” said Hayn. “I’m delighted that we can present these three spirited and engaging pieces in performances for three different audiences. There’s something for everyone in this show\, and we’re looking forward to sharing it.” \nThe concerts are free to the public. Donations are gratefully welcomed. \nFor more information\, visit falmouthchamberplayers.org. \nThe FCPO is funded in part by the Arts Foundation of Cape Cod\, the Falmouth Cultural Council\, the Mass Cultural Council\, the Cape Cod Foundation\, the Cape Cod Melody Tent\, and the Woods Hole Foundation.
URL:https://artsfalmouth.org/event/falmouth-chamber-players-orchestra-presents-once-upon-a-symphony-adventures-in-sound-2/
LOCATION:Morse Pond School\, 323 Jones Road\, Falmouth\, MA\, 02540\, United States
CATEGORIES:Children's events,Classical music,Concerts
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ORGANIZER;CN="Falmouth Chamber Players Orchestra":MAILTO:FCPO@falmouthchamberplayers.org
END:VEVENT
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DTSTART;TZID=America/New_York:20261212T193000
DTEND;TZID=America/New_York:20261212T213000
DTSTAMP:20260819T181617Z
CREATED:20260819T181617Z
LAST-MODIFIED:20260819T181617Z
UID:65124-1797103800-1797111000@artsfalmouth.org
SUMMARY:Ana Gasteyer's Sugar & Booze Holiday Spectacular
DESCRIPTION:Celebrate the holidays in unique style with Ana Gasteyer’s Sugar and Booze Holiday Spectacular. Beloved for her work on Saturday Night Live and her Broadway performances\, Ana Gasteyer delivers an evening of dazzling vocals\, sophisticated humor\, and festive charm. Blending holiday classics\, jazz-infused favorites\, and sparkling storytelling\, this exclusive Cape Symphony Presents event is a joyful and elegant celebration of the season—perfect for sharing with family\, friends\, and everyone on your holiday list.
URL:https://artsfalmouth.org/event/ana-gasteyers-sugar-booze-holiday-spectacular/
LOCATION:Barnstable Performing Arts Center\, 744 West Main Street\, Hyannis\, 02601
CATEGORIES:Comedy,Holiday events,Live concerts,Live music,Musical theater,Theater
ATTACH;FMTTYPE=image/png:https://artsfalmouth.org/wp-content/uploads/2026/08/Ana-600x400-1.png
ORGANIZER;CN="Cape Symphony Presents":MAILTO:jloida@capesymphony.org
END:VEVENT
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